CdA has been publishing books since 1980 on average 'speed' of one book per year, edition size ranging from a few to up to a hundred copies. Already at first glance one notices the book has been hand-made, creatively illustrated, unconventionally bound, given versatile form and distinguished publishing identity.
As one of a few on Polish book scene CdA books contain texts with proportion to the graphics.
      The texts are usually accompanied with foreign language translations that often exert a dramatic influence on the form the book acquires. As the name of the publishing house suggests, CdA books proclaim the idea of the correspondence of arts. The book itself is a multi-media creation because it makes use of at least two of the media: the word and the picture. An artistic book allows for applying more media and makes way of experimenting with it. Whether and how the arts actually correspond with each other remains an open question in each case but the main goal is still there: there is and always will be a need for such corresponding relation. The variety of art forms and the opportunity to experiment with it remain one of the goals of CdA. For over twenty years CdA publishing house attempted several trends of artistic partnership. First CdA books were completed in an inner circle of artists-publishers. When the group broke apart its descendants started to rely on a very close cooperation with other artists but only for the period of time needed to complete a certain project. That rule still applies but for a couple of years now CdA books are designed and brought to life by the publishers themselves. There has also been a change in the preferred book form. In the beginning they were so called bibliophile books similar in shape to 'normal' books but refined in content and graphic design. Experimenting with the shape of book began while attempting to attach 'props' commenting on the book content ( X Letter of Cardinal Pölätüo). Later used book forms include well-known 'accordeon book' (Böheme) or triptych (Ten Poems) as well as more original designs as 'turn-around-book' (Angel of Poets), 'one book split into different materials' (Bibliography and Drawings), and 'two books mounted in one' (Song of Love and Death of Cornet Christopher Rilke and Born to Kill). The latest CdA books are close to 'object books' yet still include text (The First Book of Urisen and Porta Hierosolymae), because 'the word' is still a very important component for the publishers. The new project - a book inspired by Czeslaw Milosz's 'Theological Treatise', apart from fully 'objectal' concept, seeks to include (and justify) the full text of the poem.